英格玛・伯格曼（Ingmar Bergman），本世纪最知名的导演之一。其生涯横跨电影、剧场、写作等各个领域。曾以《第七封印》、《野草莓》、《假面》《芬妮与亚历山大》等享誉国际影坛。1987年出版《伯格曼自传》，又曾出版小说 Sunday's Children，已由其子拍成电影。

英格玛・伯格曼（Ingmar Bergman），本世纪最知名的导演之一。其生涯横跨电影、剧场、写作等各个领域。曾以《第七封印》、《野草莓》、《假面》《芬妮与亚历山大》等享誉国际影坛。1987年出版《伯格曼自传》，又曾出版小说 Sunday's Children，已由其子拍成电影。

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored ...(展开全部)

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored ...(展开全部)

"Editing is the creative force of filmic reality." So Dmytryk, director of the American classic "The Caine Mutiny" begins this little book, which he hopes will aid film directors and editors in perfecting their art. It is informative for general audiences as well, demonstrating how deeply the experience of any film relies on the creativity and versatility of its editor. Product...(展开全部)

“我想你可以准备一张猫王的唱片、一支老派克钢笔喝一些从杂货铺买来的猫耳朵、麻花和咸酸甜，然后，开始往下翻，慢慢地，进入这唯一，纯粹的世代……” “这本书是向所有的电影工作者致敬的。因为这些人的努力，台湾电影才能苟延残喘至今。笔者以第一人称的我，参与了这整个事件。”

Eleven-year-old Satsuki and her sassy little sister Mei are overjoyed about moving into a historic country house with teir dad - but the girls don't realise what a delightful adventure awaits them there. WHie exploring their sprawling home and th beautiful rural area that surrounds it, Satsuki & Mei meet Granny,a sweet old woman, and her timid grandson Kanta. They also experien...(展开全部)

“我想你可以准备一张猫王的唱片、一支老派克钢笔喝一些从杂货铺买来的猫耳朵、麻花和咸酸甜，然后，开始往下翻，慢慢地，进入这唯一，纯粹的世代……” “这本书是向所有的电影工作者致敬的。因为这些人的努力，台湾电影才能苟延残喘至今。笔者以第一人称的我，参与了这整个事件。”

Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

拉兹洛·莫霍利-纳吉（1895—1946)，是20世纪杰出的前卫艺术家之一。曾任教于早期的包豪斯，奠定三大构成基础，强调理性、功能，他在学术上对表现、构成、未来、达达和抽象派兼收并蓄，以各种手段进行拍摄试验。最为突出的研究是以光、空间和运动为对象。他曾以透明塑料和反光金属为实验材料，创作“光调节器”雕塑。