英格玛・伯格曼（Ingmar Bergman），本世纪最知名的导演之一。其生涯横跨电影、剧场、写作等各个领域。曾以《第七封印》、《野草莓》、《假面》《芬妮与亚历山大》等享誉国际影坛。1987年出版《伯格曼自传》，又曾出版小说 Sunday's Children，已由其子拍成电影。

英格玛・伯格曼（Ingmar Bergman），本世纪最知名的导演之一。其生涯横跨电影、剧场、写作等各个领域。曾以《第七封印》、《野草莓》、《假面》《芬妮与亚历山大》等享誉国际影坛。1987年出版《伯格曼自传》，又曾出版小说 Sunday's Children，已由其子拍成电影。

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored ...(展开全部)

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored ...(展开全部)

“我想你可以准备一张猫王的唱片、一支老派克钢笔喝一些从杂货铺买来的猫耳朵、麻花和咸酸甜，然后，开始往下翻，慢慢地，进入这唯一，纯粹的世代……” “这本书是向所有的电影工作者致敬的。因为这些人的努力，台湾电影才能苟延残喘至今。笔者以第一人称的我，参与了这整个事件。”

Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

拉兹洛·莫霍利-纳吉（1895—1946)，是20世纪杰出的前卫艺术家之一。曾任教于早期的包豪斯，奠定三大构成基础，强调理性、功能，他在学术上对表现、构成、未来、达达和抽象派兼收并蓄，以各种手段进行拍摄试验。最为突出的研究是以光、空间和运动为对象。他曾以透明塑料和反光金属为实验材料，创作“光调节器”雕塑。

"Film Fables "traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries.

A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"--Geoffrey Nowell-Smith, "Times Literary Supplement" "Modern film theory begins with Metz."--Constance Penley, coeditor of...(展开全部)

罗伯特•C•艾伦（Robert C. Allen），北卡罗来纳大学历史系教授，主要研究美国大众娱乐与流行文化史，著有关于美国广播电视史的《话说肥皂剧》，关于美国19世纪与20世纪早期大众戏院的《令人不快的愉悦：杂耍表演与美国文化》。他开设有美国影视媒体史，全球化与民族身份，美国家庭社会变迁，社会与文化历史比较等课程。 道格拉斯•戈梅里（Douglas Gomery），马里兰大学美国广播与电影图书馆（世界五大广播图书馆之一）资深学者、荣休教授，曾在马里兰大学教授传播学，为《村声》杂志撰稿，出版了十余本关于美国媒体经济学与历史学的著作，如《好莱坞制片厂制度史》、《声音的到来》等，大量著作已被翻译为八种语言。